2018 Composition FacultyValencia International Performance Academy & Festival, July 10–20, 2018
Jorge Villavicencio Grossmann
Faculty, Program Director
Conservatoire Superieur de Paris
University of California, San Diego
San Diego, CA
Guest professor, computer music
Conservatorio Superior de Música Joaquín Rodrigo
About Jorge Villavicencio Grossmann
Faculty, Program Director
Jorge Villavicencio Grossmann’s music has been performed throughout the United States, Latin America and Europe by ensembles such as the National Symphony Orchestra of Ukraine, Orquesta Filamónica de Bogotá, Peruvian National Symphony, New England Philharmonic, Aspen Sinfonia, Kiev Camerata, Orquesta de la Universidad del Norte (Paraguay), Boston Musica Viva, Nouvel Ensemble Moderne, Pierrot Lunaire Ensemble Wien, Da Capo Chamber Players, Seattle Chamber Players, Jack Quartet and Amernet Quartet. His works find inspiration in a wide range of subjects, from medieval music to Latin American modern art. His awards include a Fromm Music Foundation Commission, John Simon Guggenheim Memorial Foundation fellowship, the Aaron Copland Award, Charles Ives Scholarship from the American Academy of Arts and Letters, fellowships from the Bogliasco Foundation, Vitae-Associação de Apoio à Cultura (Brazil) and the Nevada Arts Council; the Jacob Druckman Award from the Aspen Music Festival, Copland House Borromeo String Quartet Award, first prize in the New England Philharmonic Call for Scores, and grants from the American Music Center, St. Botolph Club Foundation, and Meet the Composer. His residencies include the Copland House, MacDowell Colony, and Atlantic Center for the Arts. He has been commissioned by organizations such as the Society for New Music, American Liszt Society, Nevada Music Teachers Association, ALEA III and the Henderson Symphony Orchestra. Before his appointment at Ithaca College, he served on the faculty of the University of Nevada, Las Vegas, where he was also director of NEXTET, UNLV’s new music ensemble, and founder and co-director of N.E.O.N., Nevada Encounters of New Music festival. He is currently director of áltaVoz, a Latin American composers collective. For further information, please visit his website: www.shadowofthevoices.com.
About Stefano Gervasoni
Born in Bergamo in 1962, Stefano Gervasoni began studying composition in 1980 on the advice of Luigi Nono: this encounter, as well as others with Brian Ferneyhough, Peter Eötvös and Helmut Lachenmann, turned out to be decisive for his career. After attending the Conservatorio Giuseppe Verdi in Milan, Stefano Gervasoni went on to study with György Ligeti in Hungary in 1990, and then, in 1992, he attended the Course in Composition and in Computer Music organised by Ircam in Paris. His first three years in France laid the foundations for an international career that eventually led him to be “lodged” at Villa Medici in 1995-1996.
With commissions from such prestigious institutions as the WDR, the SWR, the Orchestra Nazionale della RAI, the Festival d’Automne in Paris, Radio France, IRCAM, the Casa da Musica in Porto, the Festival Archipel in Geneva, the Divertimento Ensemble in Milan, the Ensemble Intercontemporain, the Ensemble Modern, the Ensemble Contrechamps in Geneva, the Maerzmusik festival in Berlin, the Ars Musica Bruxelles, the Festival Musica in Strasbourg, the French Ministry of Culture, Milan Teatro alla Scala and Suntory Hall in Tokyo, Stefano Gervasoni has established himself as one of the most important Italian composers of his generation. His catalogue – which includes chamber and vocal music, concertos, works for orchestra, for ensemble and an opera (Limbus-Limbo), commissioned for the 50th anniversary of the Percussions de Strasbourg (2012) – was first published by Ricordi, from 1987, and then, from 2000, by Suvini Zerboni. For more information, please visit his website: www.stefanogervasoni.net
About Lei Liang
Heralded as “one of the most exciting voices in New Music” by The Wiremagazine, Lei Liang (b. 1972) is a Chinese-born American composer whose works have been described as “hauntingly beautiful and sonically colorful” by the New York Times, and as “far, far out of the ordinary, brilliantly original and inarguably gorgeous” by the Washington Post.
The winner of the 2011 Rome Prize, Lei Liang is the recipient of a Guggenheim Fellowship, an Aaron Copland Award, a Koussevitzky Foundation Commission and a Creative Capital Award. His concerto for saxophone and orchestra “Xiaoxiang” was named a finalist for the Pulitzer Prize in Music in 2015.
Lei Liang was commissioned by the New York Philharmonic and Alan Gilbert for the inaugural concert of the CONTACT! new music series. Other commissions and performances come from the Fromm Music Foundation, Meet the Composer, Chamber Music America, MAP Fund, the National Endowment for the Arts, the Boston Modern Orchestra Project, the Taipei Chinese Orchestra, the Scharoun Ensemble of the Berlin Philharmonic, the Arditti Quartet, the Shanghai Quartet, the San Francisco Contemporary Music Players, the New York New Music Ensemble, and pipa virtuoso Wu Man. Lei Liang’s six portrait discs are released on Naxos, New World, Mode, Encounter and Bridge Records. As a scholar and conservationist of cultural traditions, he edited and co-edited two books, and published more than twenty articles.
From 2013-2016, Lei Liang served as Composer-in-Residence at the California Institute for Telecommunications and Information Technology where his multimedia works preserve and reimagine cultural heritage through combining scientific research and advanced technology.
Lei Liang studied composition with Sir Harrison Birtwistle, Robert Cogan, Chaya Czernowin and Mario Davidovsky, and received degrees from the New England Conservatory of Music (B.M. and M.M.) and Harvard University (Ph.D.). A Young Global Leader of the World Economic Forum, he held fellowships from the Harvard Society of Fellows and the Paul & Daisy Soros Fellowships. Lei Liang serves as Professor of Music at the University of California, San Diego. His catalogue of more than seventy compositions is published exclusively by Schott Music Corporation (New York). For more information about Lei Liang, please visit: www.lei-iang.com
About Gregorio Jiménez
Guest Professor, Computer Music
Born in Valencia, Spain, composer Gregorio Jiménez was the founder of the Electroacoustic Music Laboratory from the Valencian Music Conservatory (LEA) and has been its director since 1996. He is a professor of electroacoustic composition and music technology in this centre. He was president of Spain’s Electroacoustic Music Association, as well as the CIME secretary. His works have been presented at various events in Spain, including the following: Granada International Festival; Alicante International Music Festival; Ensems (Valencia); JIEM (Music IT and Electronics Conferences – Madrid); Nits d’Aielo (Valencia); Meeting Point (AMEE); Spanish National Radio (Ars Sonora),etc.
In other countries: Futura Festival (Crest-France); the 1st Symposium on Computer Music (Corfu, Greece); Electroacoustic Spring in La Habana (Cuba); University of Campinhas (Brazil); Next Wave Festival (Australia) and Noise Festival (Mexico City); Synthèse de Bourges Festival (France); NWEAMO Festival (San Diego, USA); Cervantes Institute (Paris); Audio Art Festival (Krakow, Poland); Sound Visions (Morelia, Mexico), etc. He has been comissioned from the Valencian Institute for Music, the Spain Ministry of Culture, the Electroacoustic Music Institute in Bourges, and was a guest composer at EMS in Stockholm. He was elected by the SGAE to represent Spain in the Spring Festival in La Habana 2000, and has composed music for other media such as theatre, television and dance. Particularly noteworthy is the series “Vent de Mar” broadcast by RTVV-Channel 9.