2019 Composition FacultyValencia International Performance Academy & Festival, July 6–11, 2020
Jorge Villavicencio Grossmann
Faculty, Program Director
Conservatoire Superieur de Paris
New England Conservatory
Guest professor, computer music
Conservatorio Superior de Música Joaquín Rodrigo
About Jorge Villavicencio Grossmann
Faculty, Program Director
Jorge Villavicencio Grossmann’s music has been performed throughout the United States, Latin America and Europe by ensembles such as the National Symphony Orchestra of Ukraine, Orquesta Filamónica de Bogotá, Peruvian National Symphony, New England Philharmonic, Aspen Sinfonia, Kiev Camerata, Orquesta de la Universidad del Norte (Paraguay), Boston Musica Viva, Nouvel Ensemble Moderne, Pierrot Lunaire Ensemble Wien, Da Capo Chamber Players, Seattle Chamber Players, Jack Quartet and Amernet Quartet. His works find inspiration in a wide range of subjects, from medieval music to Latin American modern art. His awards include a Fromm Music Foundation Commission, John Simon Guggenheim Memorial Foundation fellowship, the Aaron Copland Award, Charles Ives Scholarship from the American Academy of Arts and Letters, fellowships from the Bogliasco Foundation, Vitae-Associação de Apoio à Cultura (Brazil) and the Nevada Arts Council; the Jacob Druckman Award from the Aspen Music Festival, Copland House Borromeo String Quartet Award, first prize in the New England Philharmonic Call for Scores, and grants from the American Music Center, St. Botolph Club Foundation, and Meet the Composer. His residencies include the Copland House, MacDowell Colony, and Atlantic Center for the Arts. He has been commissioned by organizations such as the Society for New Music, American Liszt Society, Nevada Music Teachers Association, ALEA III and the Henderson Symphony Orchestra. Before his appointment at Ithaca College, he served on the faculty of the University of Nevada, Las Vegas, where he was also director of NEXTET, UNLV’s new music ensemble, and founder and co-director of N.E.O.N., Nevada Encounters of New Music festival. He is currently director of áltaVoz, a Latin American composers collective. For further information, please visit his website: www.shadowofthevoices.com.
About Stefano Gervasoni
Born in Bergamo in 1962, Stefano Gervasoni began studying composition in 1980 on the advice of Luigi Nono: this encounter, as well as others with Brian Ferneyhough, Peter Eötvös and Helmut Lachenmann, turned out to be decisive for his career. After attending the Conservatorio Giuseppe Verdi in Milan, Stefano Gervasoni went on to study with György Ligeti in Hungary in 1990, and then, in 1992, he attended the Course in Composition and in Computer Music organised by Ircam in Paris. His first three years in France laid the foundations for an international career that eventually led him to be “lodged” at Villa Medici in 1995-1996.
With commissions from such prestigious institutions as the WDR, the SWR, the Orchestra Nazionale della RAI, the Festival d’Automne in Paris, Radio France, IRCAM, the Casa da Musica in Porto, the Festival Archipel in Geneva, the Divertimento Ensemble in Milan, the Ensemble Intercontemporain, the Ensemble Modern, the Ensemble Contrechamps in Geneva, the Maerzmusik festival in Berlin, the Ars Musica Bruxelles, the Festival Musica in Strasbourg, the French Ministry of Culture, Milan Teatro alla Scala and Suntory Hall in Tokyo, Stefano Gervasoni has established himself as one of the most important Italian composers of his generation. His catalogue – which includes chamber and vocal music, concertos, works for orchestra, for ensemble and an opera (Limbus-Limbo), commissioned for the 50th anniversary of the Percussions de Strasbourg (2012) – was first published by Ricordi, from 1987, and then, from 2000, by Suvini Zerboni. For more information, please visit his website: www.stefanogervasoni.net
About Stratis Minakakis
Stratis Minakakis is a composer and conductor whose creative work engages issues of memory, cultural identity, and art as social testimony; it also explores the rich possibilities engendered by the interaction between arts and sciences.
As a composer, he has collaborated with leading performers and ensembles across Europe, North America, and Japan, such as The Crossing choir, the PRISM and Stockholm saxophone quartets, the Harry Partch ensemble, the Arditti String Quartet, Ensemble Counter)induction, Noh actress Ryoko Ayoki, recorder virtuoso Tosiya Suzuki, flutist Orlando Cela, and conductors Donald Nally and Rüdiger Bonn.
As a conductor, he has directed and coached numerous chamber music and orchestral ensembles in contemporary repertory, including works by Milton Babbitt, Katherine Balch, Henri Dutilleux, György Ligeti, Fabien Levy, Eric Maestri, John Mallia, Katarina Miljkovic, Dimitris Minakakis, Joan Arnau Pamiès, Y. A. Papaioannou, and Iannis Xenakis.
Also active in the field of music theory, his recent work focuses on interpretive analysis of the late string quartet manuscripts by Beethoven. This line of work builds upon the pioneering research of violinist Nicholas Kitchen on the expressive markings and articulations of Beethoven manuscripts. Other areas of interest include early Modernism, and the music of Xenakis and Ligeti.
He is the recipient of numerous artistic prizes, grants, and academic awards from institutions such as the Pew Center for Arts and Heritage, Princeton University, the University of Pennsylvania, the New England Conservatory, the Takefu International Festival in Japan, the Fondation Royaumont in France, the Center for Mediterranean Music in Greece, the Greek Composers Union, and the International Society for Contemporary Music. Deeply committed to music pedagogy, he was awarded the Dean’s Award for Distinguished Teaching at the University of Pennsylvania and the prestigious Louis Krasner Award at the New England Conservatory.
He studied piano, theory, and composition at Atheneaum Conservatory (First Prize in Composition), Princeton University (Phi Beta Kappa, summa cum laude), the New England Conservatory (Toru Takemitsu Award in Composition, summa cum laude, Distinction in Performance), and the University of Pennsylvania (Nitze and Hallstead Prizes for Composition, Dean’s Scholar Award, George Crumb Fellowship). He currently lives in Cambridge, Massachusetts and teaches Music Theory and Composition at the New England Conservatory.
For more information about Stratis Minakakis, please visit: stratisminakakis.info
About Gregorio Jiménez
Guest Professor, Computer Music
Born in Valencia, Spain, composer Gregorio Jiménez was the founder of the Electroacoustic Music Laboratory from the Valencian Music Conservatory (LEA) and has been its director since 1996. He is a professor of electroacoustic composition and music technology in this centre. He was president of Spain’s Electroacoustic Music Association, as well as the CIME secretary. His works have been presented at various events in Spain, including the following: Granada International Festival; Alicante International Music Festival; Ensems (Valencia); JIEM (Music IT and Electronics Conferences – Madrid); Nits d’Aielo (Valencia); Meeting Point (AMEE); Spanish National Radio (Ars Sonora),etc.
In other countries: Futura Festival (Crest-France); the 1st Symposium on Computer Music (Corfu, Greece); Electroacoustic Spring in La Habana (Cuba); University of Campinhas (Brazil); Next Wave Festival (Australia) and Noise Festival (Mexico City); Synthèse de Bourges Festival (France); NWEAMO Festival (San Diego, USA); Cervantes Institute (Paris); Audio Art Festival (Krakow, Poland); Sound Visions (Morelia, Mexico), etc. He has been comissioned from the Valencian Institute for Music, the Spain Ministry of Culture, the Electroacoustic Music Institute in Bourges, and was a guest composer at EMS in Stockholm. He was elected by the SGAE to represent Spain in the Spring Festival in La Habana 2000, and has composed music for other media such as theatre, television and dance. Particularly noteworthy is the series “Vent de Mar” broadcast by RTVV-Channel 9.